Greek Texts & Translations

The distance from Coroneia to Mount Laphystius and the precinct of Laphystian Zeus is about twenty stades. The image is of stone. They say that when Athamas was about to sacrifice here Phrixus and Helle, a ram with his fleece of gold was sent by Zeus to the children, and that on the back of this ram they made good their escape. Higher up is a Heracles surnamed Charops (With bright eyes). Here, say the Boeotians, Heracles ascended with the hound of Hades. On the way down from Mount Laphystius to the sanctuary of Itonian Athena is the river Phalarus, which runs into the Cephisian lake.

Over against Mount Laphystius is Orchomenus, as famous a city as any in Greece. Once raised to the greatest heights of prosperity, it too was fated to fall almost as low as Mycenae and Delos. Its ancient history is confined to the following traditions. They say that Andreus, son of the river Peneius, was the first to settle here, and after him the land Andreis was named.

When Athamas joined him, he assigned to him, of his own land, the territory round Mount Laphystius with what are now the territories of Coroneia and Haliartus. Athamas, thinking that none of his male children were left, adopted Haliartus and Coronus, the sons of Thersander, the son of Sisyphus, his brother. For he himself had put to death Learchus and Melicertes; Leucon had fallen sick and died; while as for Phrixus, Athamas did not know if he survived or had descendants surviving.

When later Phrixus himself, according to some, or Presbon, according to others, returned from Colchis—Presbon was a son of Phrixus by the daughter of Aeetes—the sons of Thersander agreed that the house of Athamas belonged to Athamas and his descendants, while they themselves became founders of Haliartus and Coroneia, for Athamas gave them a part of his land.

Even before this Andreus took to wife from Athamas Euippe, daughter of Leucon, and had a son, Eteocles. According to the report of the citizens, Eteocles was the son of the river Cephisus, wherefore some of the poets in their verses called him Cephisiades.

When this Eteocles became king, he let the country be still called after Andreus, but he established two tribes, naming one Cephisias, and the other after himself. When Almus, the son of Sisyphus, came to him, he gave him to dwell in a little of the land, and a village was then called Almones after this Almus. Afterwards the name of the village that was generally adopted was Olmones.

These are appropriate names for Graces, as are those given by the Athenians, who from of old have worshipped two Graces, Auxo and Hegemone. Carpo is the name, not of a Grace, but of a Season. The other Season is worshipped together with Pandrosus by the Athenians, who call the goddess Thallo.

It was from Eteocles of Orchomenus that we learned the custom of praying to three Graces. And Angelion and Tectaus, sons of Dionysus, ^note who made the image of Apollo for the Delians, set three Graces in his hand. Again, at Athens, before the entrance to the Acropolis, the Graces are three in number; by their side are celebrated mysteries which must not be divulged to the many.

Pamphos was the first we know of to sing about the Graces, but his poetry contains no information either as to their number or about their names. Homer ^note(he too refers to the Graces) makes one the wife of Hephaestus, giving her the name of Grace. He also says that Sleep was a lover of Pasithea, and in the speech of Sleep there is this verse:— Verily that he would give me one of the younger Graces.
Hom. Il. 14.270-276Hence some have suspected that Homer knew of older Graces as well.

Hesiod in the Theogony
^note (though the authorship is doubtful, this poem is good evidence) says that the Graces are daughters of Zeus and Eurynome, giving them the names of Euphrosyne, Aglaia and Thalia. The poem of Onomacritus agrees with this account. Antimachus, while giving neither the number of the Graces nor their names, says that they are daughters of Aegle and the Sun. The elegiac poet Hermesianax disagrees with his predecessors in that he makes Persuasion also one of the Graces.

Who it was who first represented the Graces naked, whether in sculpture or in painting, I could not discover. During the earlier period, certainly, sculptors and painters alike represented them draped. At Smyrna, for instance, in the sanctuary of the Nemeses, above the images have been dedicated Graces of gold, the work of Bupalus; and in the Music Hall in the same city there is a portrait of a Grace, painted by Apelles. At Pergamus likewise, in the chamber of Attalus, are other images of Graces made by Bupalus;